42 x 33 inches each
time-based image capture, dye sublimation on aluminum, (edition of 3)
The SunTest metal prints document changes in paintings that I make with very fugitive, light sensitive ink, dyes and stains. I expose the paintings to sunlight daily, and digitally scan them over weeks and months as the images evolve and change. Some colors completely vanish, while others remain. Each image or “Day” is like a still frame in a time lapse movie.
The metal prints are made with archival inks and become the final art works—as the original paintings no longer exist except as ghosts or artifacts.
installation at Dolby Chadwick Gallery, May 2021
all are time-based image capture, dye sublimation on aluminum, (edition of 3)
left: SunTest #16 (Day 9 & 131), 2021
42 x 33 inches each panel
middle: SunTest #11 (Day 1, 12, 16, 19), 2020
37 x 37 inches each panel
right: SunTest #19 (Day 6 & 62), 2021
24 inches diameter each
I mask off sections of the SunTest paintings before exposing them to light. For this one I created special color formulas – some very light sensitive and others very permanent.
78 x 98 inches overall
time-based image capture, dye sublimation on aluminum, (edition of 3)
This grouping shows four moments while the painting was being exposed to light (the 1st day, 9th, 12th, and 25th day).
time-based image capture, dye sublimation on aluminum
42 x 33 inches each panel, edition of 3
42 x 33 inches
time-based image capture, dye sublimation on aluminum, (edition of 3)
This print features Day 10 in the life of this painting as it was being exposed to light.
Lab Sciences Annex, University of West Florida, Pensacola, FL
time-based image capture, dye sublimation on aluminum
83″ h x 19′ 5″ w
time-based image capture, dye sublimation on aluminum
37 x 37 inches each panel, edition of 3
Fox Tower lobby, Portland, OR
time-based image capture, dye sublimation on aluminum
13′ h x 17′ w
37 x 37 inches each
77 x 77 inches overall
time-based image capture, dye sublimation on aluminum, (edition of 3)
time-based image capture, archival pigment prints on Sunset Hot Press
17.25 x 23.25 inches each, edition of 15
Merck Research Laboratories, South San Francisco, CA
time-lapse video for LED media wall
9′ h x 30′ w
time-based image capture, dye sublimation on aluminum
24 inches diameter each panel, edition of 3
time-based image capture, dye sublimation on aluminum
24 x 24 inches each panel, edition of 3
installation at Robischon Gallery, May 2019
time-based image capture, dye sublimation on aluminum, (edition of 3)
left: SunTest #6 (Day 1, 6, 59), 2019
37 x 37 inches each, 117 x 37 overall
right: SunTest #1 (6 Intervals), 2019
31 x 65 inches
37 x 37 inches
time-based image capture, dye sublimation on aluminum, (edition of 3)
This print features Day 13 in the life of this painting as it was being exposed to light.
33 x 42 each, 69 x 87 inches overall
time-based image capture, dye sublimation on aluminum, (edition of 3)
Multiple panel grouping featuring 4 “Days” or moments in the life of the painting.
42 x 33 inches each
time-based image capture, dye sublimation on aluminum, (edition of 3)
I used only my most fugitive, light sensitive colors for this one, so all of the color would fade out eventually. This print shows 3 “Days” or moments along the way.
assembled time-based image capture, dye sublimation on aluminum
20 x 16 inches