| Jaq Chartier
b. 1961, Albany, Georgia USA |
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EDUCATION |
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| 1994 | MFA, painting, University of Washington, Seattle |
| 1984 | BFA, painting (Cum Laude), University of Massachusetts, Amherst |
| 1980 – 1981 |
Syracuse University, School of Art (film), Syracuse, NY |
SOLO EXHIBITIONS |
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| 2022 | Remain In Light, J. Rinehart Gallery, Seattle catalog |
| 2021 | Under the Sun, Dolby Chadwick Gallery, San Francisco download SunTests catalog (4mb PDF) |
| 2020 | SunTests, Elizabeth Leach Gallery, Portland |
| 2019 | SunTests, Robischon Gallery, Denver |
| 2018 | In Solution, Dolby Chadwick Gallery, San Francisco |
| 2016 | Hunting Color, Elizabeth Leach Gallery, Portland Solo booth at Pulse NY art fair, William Baczek Fine Arts |
| 2015 | A Fever in Matter, Dolby Chadwick Gallery, San Francisco |
| 2014 | Testing, Base Gallery, Tokyo |
| 2013 | Ultra Marine: New Paintings & Drawings About the Sea, Elizabeth Leach, Portland |
| SubOptic, Platform Gallery, Seattle | |
| 2011 | Slow Color, Morgan Lehman Gallery, New York |
| 2010 | SuperNatural, Elizabeth Leach Gallery, Portland |
| 2009 | Downtime, Platform Gallery, Seattle |
| 2008 | Color Charts, Haines Gallery, San Francisco Full Spectrum, Elizabeth Leach, Portland Testing, William Baczek Fine Arts, Northampton, MA |
| 2007 | Color Tests, Schroeder Romero, NY |
| 2006 | Testing, University of Michigan, Institute for the Humanities, Ann Arbor Blindsight, Platform Gallery, Seattle |
| 2005 | Testing, LIMN Gallery, San Francisco Testing, Elizabeth Leach, Portland |
| 2004 | Testing, Schroeder Romero, Brooklyn Testing, LIMN Gallery, San Francisco |
| 2003 | Testing, Schroeder Romero, Brooklyn New Work, William Traver Gallery, Tacoma, WA |
| 2002 | Testing, Frumkin/Duval, Santa Monica Testing, LIMN Gallery, San Francisco Testing, Cervini Haas Gallery, Scottsdale |
| 2001 | Testing, William Traver Gallery, Seattle |
| 2000 | Testing, Cervini Haas Gallery, Scottsdale |
| 1998 | Testing, William Traver Gallery, Seattle |
| 1997 | New Work, William Traver Gallery, Seattle New Work, Laura Russo Gallery, Portland |
| 1996 | New Work, William Traver Gallery, Seattle |
| 1995 | Introductions, William Traver Gallery, Seattle |
SELECTED GROUP EXHIBITIONS |
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| 2024 | Ink & Clay 46: Art & Science Collide, Kellogg University Art Museum, Cal Poly Pomona, CA Jaq Chartier, Laura Gurton, and Anne Lilly, William Baczek Fine Arts, Northampton, MA |
| 2023 | 45 + Anniversary Exhibition Series: Part II, Robischon Gallery, Denver Wonder Rooms, Oregon State University President’s Residence, Corvallis, OR Completely Color, Inter-Society Color Council Conference: Color Impact 2023: Color and Human Experience, (Virtual Exhibition), Rochester Institute of Technology, Rochester, NY Art Fairs: Seattle Art Fair, J. Rinehart Gallery; Art Market SF, J. Rinehart Gallery; SF Showcase “Sadie’s Arty Party”, EJ Interior Design & Dolby Chadwick Gallery. |
| 2022 | Art Fairs: Seattle Art Fair, J. Rinehart Gallery; Intersect Palm Springs, J. Rinehart Gallery. |
| 2021 | Wunderkammer 3, Esbjerg KunstMuseum, Esbjerg, Denmark |
| 2020 | Making a Better Painting: Thinking Through Practice, Hoffman Gallery, Lewis & Clark College, Portland, OR |
| 2019 | Metamorphosis: Agents of Change, NYU Langone Art Gallery, New York, NY Art fairs: Seattle Art Fair, Woodside Braseth Gallery. |
| 2018 | Making Life Visible: Art, Biology and Visualization, Faulconer Gallery, Grinnell College, IA Here and Now, Dolby Chadwick Gallery, San Francisco Art Fairs: Pulse Miami, William Baczek Fine Arts; Seattle Art Fair, Woodside Braseth Gallery. |
| 2017 | Dealer’s Choice, Woodside/Braseth Gallery, Seattle Artist as Subject: 20th Anniversary Celebration, Dolby Chadwick Gallery, SF Art Fairs: Pulse Miami, William Baczek Fine Arts; Seattle Art Fair, Woodside Braseth Gallery. |
| 2016 | Pairings: 16 Artists Creatively Combined, Sonoma Valley Museum of Art, Sonoma, CA The Color of Memory, Jeffrey Thomas Fine Art, Portland, OR American Painting Today, the old Value Village on Capitol Hill, Seattle, WA Art fairs: Pulse Miami: Elizabeth Leach Gallery and William Baczek Fine Arts; Pulse NY, William Baczek Fine Arts. |
| 2015 | Diphthong, Fiterman Gallery at Borough of Manhattan Community College, NY Thought Patterns, Bainbridge Island Museum of Art, Bainbridge Island, WA Lightning Strikes: 18 poets. 18 artist., Dolby Chadwick Gallery, SF Art fairs: Art Miami, Dolby Chadwick Gallery; Seattle Art Fair: Elizabeth Leach Gallery and Platform Gallery. |
| 2014 | Real Abstract, Linda Hodges Gallery, Seattle Art fairs: Palm Springs Fine Art Fair, Dolby Chadwick Gallery. |
| 2013 | Chamber Music, Frye Art Museum, Seattle Materialized, Robischon Gallery, Denver Atmospheric Weather: Artwork from Seattle Public Utilities’ Collection, Seattle Municipal Tower, Seattle Art fairs: Art Fair Tokyo, Base Gallery, Tokyo; Expo Chicago, Base Gallery, Tokyo. |
| 2012 | Elles @SAM Gallery, Seattle Art Museum, Seattle Art fairs: Pulse Miami, Elizabeth Leach Gallery; Aqua Art Miami, Prole Drift; Miami Project, Platform Gallery; Art Pad SF, Prole Drift. |
| 2011 | One Thing Leads to Another: process and repetition in contemporary print and drawings, San Jose Institute of Contemporary Art Seattle As Collector: Seattle Office of Arts & Cultural Affairs Turns 40, 40th Anniversary Exhibition at Seattle Art Museum. Catalog. Art fairs: Aqua Art Miami, William Baczek Fine Arts. |
| 2010 | Default State Network, Morgan Lehman Gallery, New York Expansion, Robischon Gallery, Denver The Power of Selection, part 3, Western Exhibitions, Chicago Opening Ceremony, Morgan Lehman Gallery, New York Non-Objective, William Baczek Gallery, Northampton, MA Northwest Mid-Career Artists, Seattle Public Utilities Portable Works, Seattle Municipal Tower Gallery Art fairs: Pulse NY, Morgan Lehman Gallery; Aqua Art Miami: Morgan Lehman and Platform Gallery. |
| 2009 | Genipulation: Genetic Engineering and Manipulation in Contemporary Art, Centre PasqueArt, Kunsthaus Centre d’art, Biel Bienne, Switzerland. Catalog. Art fairs: Aqua Wynwood: Elizabeth Leach Gallery; Aqua Hotel, Platform Gallery and William Baczek Fine Arts. |
| 2008 | Genesis – Die Kunst der Schöpfung (The Art of Creation), Zentrum Paul Klee, Bern, Switzerland. Catalog. Does DNA Define You? Sun Valley Center for the Arts, Ketchum, ID Art fairs: Art Chicago, Haines Gallery; NEXT Chicago, Elizabeth Leach; Aqua Art Miami-Wynwood, Elizabeth Leach; Aqua Hotel, Platform Gallery. |
| 2007 | Diagnose [Art]: Contemporary Art Reflecting Medicine, Museum im Kulturspeicher, Würzburg, Germany. Catalog. Human Nature II: Future Worlds, SoFA Gallery, Indiana University, Bloomington. Catalog. A Gathering of Friends, inaugural exhibition, Golden Foundation for the Arts Gallery, New Berlin, NY. Catalog. Beneath the Skin, LIMN Gallery, San Francisco Art fairs: Aqua Art Miami-Winwood, Elizabeth Leach; Aqua Hotel, Platform Gallery; Art Miami, Haines Gallery. |
| 2006 | Diagnose [Art]: Contemporary Art Reflecting Medicine, book catalog, Kunst-Museum Ahlen, Germany, (reproductions). Potentially Mighty, p|m Gallery, Toronto, Canada Building Tradition, Whatcom Museum of History and Art, Bellingham, WA Art fairs: Pulse Miami, Schroeder Romero; Pulse NY, Schroeder Romero; Aqua Art Miami, Elizabeth Leach and Platform Gallery; Art LA, Platform Gallery; Year ’06 London, Schroeder Romero. |
| 2005 | 5 Painters, Platform, Seattle Head Over Hand: pushing the limits of paint, Denise Bibro, NY Neddy Artist Fellowship Exhibition, Tacoma Art Museum, Tacoma, WA Art fairs: NADA Miami, Schroeder Romero; Affair at the Jupiter Hotel, Portland, Elizabeth Leach; Aqua Art Miami, Platform Gallery and Elizabeth Leach. |
| 2004 | Art fairs: NADA Miami, Schroeder Romero; San Francisco Art Fair, Elizabeth Leach Gallery. |
| 2003 | Portals, Urban Institute for Contemporary Arts, Grand Rapids, MI Components, Elizabeth Leach Gallery, Portland, OR Art fairs: Cologne Art Fair, Elizabeth Leach Gallery; NADA Miami Beach, Schroeder Romero; Art Santa Fe, Cervini Haas. |
| 2002 | Gene(sis): Contemporary Art Explores Human Genomics, Henry Art Gallery, University of Washington, Seattle. Traveled through 2004: @Berkeley Art Museum; @Weisman Art Museum; @Block Museum. |
| 2000 | 4×4: Four Decades of School of Art Alumni, Jacob Lawrence Gallery, University of Washington, Seattle |
| 1999 | Neddy Artist Fellowship Exhibition, Seafirst Bank Gallery, Seattle |
| 1998 | Hands On Color, Bellevue Art Museum, Bellevue, WA |
| 1997 | They Came Here First! CoCA (Center on Comtemp. Art), and Bumbershoot Arts Festival, Seattle Beeswax, SOIL Gallery, Seattle Drawings…A Bi-Coastal Invitational, Meyerson & Nowinski Gallery, Seattle |
| 1991 | The Figure: Personal Views and Collaborations, Northampton Center for the Arts, Northampton, MA Common Past, Recent Work, Wheeler Gallery, University of Massachusetts, Amherst |
| 1990 | Viewing Ourselves, Hampden Gallery, University of Massachusetts, Amherst |
| 1989 | Art and Soul, Hampshire College, Amherst, MA |
AWARDS |
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| 2013 | Purchase Award – Portable Works Collection, Seattle Public Utilities |
| 2011 | Contemporary Northwest Art Awards Finalist, Portland Art Museum, Portland, OR |
| 2006 | Neddy Fellowship Award nominee, Behnke Foundation, Seattle |
| 2005 | Neddy Fellowship Award nominee, Behnke Foundation, Seattle |
| 2004 | Special Projects Grant, 4Culture (Cultural Development Authority of King County), Seattle Visual Arts Grant finalist, Creative Capital Foundation, NY |
| 2003 | Purchase Award – Portable Works Collection, City of Seattle, Office of Arts & Cultural Affairs |
| 2002 | Artist Trust/Washington State Arts Commission Fellowship, Seattle |
| 2001 | PONCHO Special Recognition Award, Betty Bowen Award, Seattle Art Museum Joan Mitchell Foundation Award nominee, NY |
| 1999 | Artist Trust GAP Grant (Grant for Artists’ Projects), Seattle Betty Bowen Award nominee, Seattle Art Museum Centrum Residency, Port Townsend, WA Neddy Fellowship Award nominee, Behnke Foundation, Seattle |
COLLECTIONS |
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| The Allen Institute Amgen Bill & Melinda Gates Research Institute Capital One Chambers Hotel, NY Chan Zuckerberg Initiative City of Seattle, Portable Works Collection The Henry Art Gallery, Univ. of Washington, Seattle Esbjerg KunstMuseum, Denmark Google Cloud Collection Merck, South San Francisco Microsoft Oregon State University, Corvallis Portland Art Museum, OR The Progressive Art Collection Charles Schwab, San Francisco Schwartz Art Collection, Harvard Business School Seattle Public Utilities Portable Works Collection Swedish Medical Center, Seattle TA Associates, Boston Tacoma Art Museum, WA University of West Florida USAA Wellington Management |
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BIBLIOGRAPHY & MEDIA |
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| 2023 | Weibel, Peter, and Ljiljana Fruk (eds.). Molecular Aesthetics, (Chinese translation), Cambridge, Mass.: MIT, Beijing Normal University & ZKM Center for Art and Media Karlsruhe, pp. 242-245, (images). |
| 2022 | Elle Decoration – French Edition, December, p 11, (image). JydskeVestkysten (jv.dk), “In the name of art: Popular exhibition lives on thanks to a large donation,” February. Wilton, Nicholas. “The Art of Curiosity — Jaq Chartier,” ART2LIFE Podcast, episode 47, interview, 55:39 min. |
| 2021 | Atlanta Medicine, Vol. 92, No. 1. Image on magazine cover. Dworetzky, Joe. “Explaining the NFT, a new way for artists and content creators to make a living,” Bay City News Foundation, May 22 (image). Pfarrer, Steve. “A quarter century in the art world: William Baczek Fine Arts marks anniversary with group exhibit,” Daily Hampshire Gazette, Feb 12, (image). Roth, David M.“David M. Roth on Jaq Chartier,” SquareCylinder.com, May 17, (images). Salomonsen, Ebbe. “Wunderkammer 3 — DNArt!” KomEsbjerg.com, June 9. |
| 2020 | “Exhibition Tour & Conversation with Bruce Guenther & Jaq Chartier,” YouTube.com, June 13, (video). Gallivan, Joseph. “ArtFocus: Joseph Gallivan interviews painter Jaq Chartier about her show SunTests,” KBOO.FM, May 26, (image). |
| 2019 | Billions tv series on ShowTime, paintings on set throughout season 4, multiple episodes. Paglia, Michael. “Four Solos Create a Beautiful Pattern at Robischon,” Westword.com, June 12, (images). Wei, Lilly. “Barbara Takenaga…Jaq Chartier… at Robischon,” StudioInternational.com, June 27, (images). The Scientific and Creative Process of Artist Jaq Chartier, artworkarchive.com, October, (images). The Biggest Challenges Artists Face During Their Career, artworkarchive.com, October (images). |
| 2018 | Making Life Visible: Art, Biology and Visualization, exhibition catalog, Faulconer Gallery, Grinnell College, IA, pp 44, 52 (images). Morris, Barbara, “Jaq Chartier @ Dolby Chadwick,” SquareCylinder.com, May 23, (images). Park, Jiyun, “Seaweed unlike you’ve ever seen it…,” LittleVillageMag.com, June 7, (image). Shick, J. Malcolm. Where Corals Lie: A Natural and Cultural History, London: Reaktion Books, p. 132–3, (image). Amazon |
| 2017 | Schmidt, Carley, “Chance and Chaos: In the Studio with Jaq Chartier,” Medium.com, 8/1, (images, video). Speer, Richard, “2016 Top Ten Lists – Portland,” artltdmag.com, January 5. |
| 2016 | Bright, Richard, “Drawing Thoughts,” Interalia Magazine, Issue 20, January, InteraliaMag.org, (images). |
| 2015 | Kordic, Angie, “Jaq Chartier at Dolby Chadwick Gallery,” Widewalls.ch, March, (images). Mendelsohn, John. “The Ghost in the Machine: Diphthong at the Fiterman,” artcritical.com, Oct 5. |
| 2014 | Geijutsu Shincho Magazine, July, p. 111, (image). ST 37, I’m Not Good, Cleopatra Records. Painting featured on album cover. |
| 2013 | Harper’s magazine, image reproduced in New Books section, December issue, p. 85. Langner, Erin. “Disappearing Act: Jaq Chartier’s Climate-Changing Paintings,” New American Paintings Blog, 9/30/13 (images). Speer, Richard. “Jaq Chartier: Ultra Marine,” Willamette Week, 5/17/13. Weibel, Peter, and Ljiljana Fruk (eds.). Molecular Aesthetics, Cambridge, Mass.: MIT, pp. 242-245, (images). |
| 2012 | Beal, Suzanne. “Seattle: A Celebration of Elles,” art ltd, November/December, p. 42, (image). |
| 2011 | artcritical: Review Panel #44 – Carrier, Diaz, and Welish with moderator David Cohen, discuss Alison Knowles at James Fuentes, Jaq Chartier at Morgan Lehman, Iván Navarro at Paul Kasmin, and Rirkrit Tiravanija at Gavin Brown’s enterprise, mp3 – 1 hr, 38 min, April 1st. Baker, R.C. “Best in Show:…Jaq Chartier at Morgan Lehman,” The Village Voice, 3/30/11 Haber, John. “Color As Obsession,” haberarts.com New York, 3/18/11, (image) Heinrich, Will. “On Display: Maya Block at Thierry Goldberg Projects; Jaq Chartier at Morgan Lehman,” The New York Observer, 3/8/11, (image). Seattle As Collector: Seattle Office of Arts & Cultural Affairs Turns 40, catalog for 40th Anniversary Exhibition at Seattle Art Museum, (image). |
| 2010 | Studio Visit, Volume 10, juried by Steven Zevitas, Needham Heights, Mass.: Open Studio Press, pp. 36-37, (image). Wilson, Stephen. Art+Science Now, New York: Thames & Hudson, p. 32, (image). |
| 2009 | Battenfield, Jackie. The Artist’s Guide, New York: Da Capo Press, p. 134+ (image). Battenfield, Jackie. “Reality Check Interview with Jaq Chartier,” ArtistCareerGuide.com, (images). Genipulation, exhibition catalog, CentrePasqueArt, Biel Bienne, Switzerland, pp. 54-59, (images). Hackett, Regina. “Jaq Chartier and the memento mori of a color field,” Another Bouncing Ball, 5/1/09, (images). Mattera, Joanne. “Fair and Fair Alike: Miami 2009,” Joanne Mattera Art Blog, 12/15/09, (images). Ingeborg. Art in the Age of Technoscience: Genetic Engineering, Robotics, and Artificial Life in Contemporary Art. Austria: Springer WienNewYork. pp. 237-241, (images). |
| 2008 | Baker, Kenneth. “Wauson remembered at Haines,” San Francisco Chronicle, 7/5/08. Brady, Patti. Rethinking Acrylic, Cincinnati: North Light Books, p. 152, (image). Genesis – Die Kunst der Schöpfung (The Art of Creation), exhibition catalog, Zentrum Paul Klee, Bern, Switzerland, p. 29, (image). Speer, Richard. “Profile: Jaq Chartier,” art ltd, September, pp. 66-67, (image). Studio Visit, Volume 4, juried by Carl Belz, Needham Heights, Mass.: Open Studio Press, pp. 32-33, (images). |
| 2007 | Human Nature, exhibition catalog, SoFA Gallery, Indiana Univ. Bloomington, p. 63, (image). |
| 2006 | Cantu, John Carlos, “Disintegration at the core…,” Ann Arbor News, 2/5/06, p. C2, (image). Diagnose [Kunst], exhibition catalog, Kunstmuseum Ahlen, Germany, p. 133, (image). Dwell, “In the Modern World,” 10/06, (image). Engelson, Andrew. “Dot matrix: Jaq Chartier smears the line between art and science with her DNA-inspired blobs,” Seattle Weekly, 10/9/06. Faigin, Gary. “Jaq Chartier at Platform Gallery,” artdish.com, 9/23/06, (image). Grant, Adriana. “Ink that makes you think,” Seattle Weekly, 10/4/06, (image). Graves, Jen. “Profanity, Testing, Explosion,” The Stranger, 9/14/06, (image). Hackett, Regina. “Seattle artists again find a place in the Miami Sun,” Seattle P.I., 12/15/06, (image). Hackett, Regina. “Jaq Chartier breaks down decay to its most beautiful elemental forms,” Seattle P.I., 9/8/06, p. 29, (image). Hackett, Regina. “Serial in Seattle,” Visual Codec, March, (image). Pence, Elizabeth. “Jaq Chartier at Platform Gallery,” Artweek, November, pp. 22-23, (image). Langley, Matthew, “Jaq Chartier @ Platform Gallery,” Matthew Langley/weblog, 9/19/06, (image). Scott, Carrie E.A., “State of the Art,” Seattle Magazine, June, pp. 123-125, (image). Neddy Artist Fellowship, exhibition catalog, Tacoma Art Museum, Tacoma, WA. ‘Testing’ by Jaq Chartier, exhibition catalog [pdf], Institute for the Humanities, University of Michigan, Ann Arbor. |
| 2005 | Engelson, Andrew. “Visual Arts Pick: Five Painters,” Seattle Weekly, 7/13/05. Kangas, Matthew. “Abstraction and revelations,” Seattle Times, 7/8/05. Koplos, Janet. “Report from Seattle: Plugged In and Caffeinated,” Art in America, September, p.69, (image). Neddy Artist Fellowship, exhibition catalog, Tacoma Art Museum, Tacoma, WA. New American Paintings. Vol. 61. Pacific West Coast edition. Needham Heights, Mass.: Open Studios Press, pp. 30-33. Perry, Vicky. Abstract Painting Concepts and Techniques, New York: Watson-Guptill. Reproduction p. 125. Reichle, Ingeborg. Kunst aus dem Labor: Zum Verhältnis von Kunst und Wissenschaft im Zeitalter der Technoscience. Austria: Springer WienNewYork. Images on book cover and pp. 225-229. Wiggin, Ashley. “The Art of Science,” Seattle Magazine, May, 2004, p. 30, (image). |
| 2004 | Berry, Colin. “Jaq Chartier and Elizabeth Scheidl at LIMN Gallery,” Artweek, June, pp. 12-13, (image). Baker, Kenneth, “Art grapples with science and politics,” San Francisco Chronicle, 3/27/04, p. E-1, (image). Jaq Chartier, Testing. [Amazon.com or download book pdf], Seattle: Marquand Books, 47 pg hardcover book. Maine, Stephen, “Dateline Brooklyn,” Artnet.com, 9/30/04, (image). Pepper, Keane (aka William Powhida). “The October Art Crawl,” FREEwilliamsburg.com, October. Shaviro, Steven, “Genetic Disorder,” Artforum [4mb pdf], Januray, 2004, p. 42, (image). Stillman, Nick, “Jaq Chartier: Sun Tests at Schroeder Romero,” MinusSpace.com, November, (images). |
| 2003 | Bullis, Douglas. 100 Artists of the West Coast. Atglen, PA.: Schiffer Books, pp. 172-173, (images). Conner, Jill. “Jaq Chartier: Testing,” Contemporary magazine [6mb pdf], issue 53/54, p. 117-118, (image). Lovejoy, Bess. “Weird Science: Art and Chemistry Collide in the Lab of Jaq Chartier,” Resonance magazine, issue #38, p. 32-33, (images). Pepper, Keane (aka William Powhida). “The April Crawl,” FREEwilliamsburg.com, April, 2003. |
| 2002 | DeVuono, Frances. ” ‘Gene(sis)’ at the Henry Art Gallery,” Artweek, July/Aug 2002, p. 22. Engelson, Andrew. “Dot Matrix: Jaq Chartier smears the line between art and science with her DNA-inspired blobs,” Seattle Weekly, 3/28/02, p. 63, (image). Failing, Patricia. “Seizing the Moment,” ARTnews, march, jp. 76. Hackett, Regina. “Messing with Mother Nature,” Seattle P-I, April 6, p. E-1. Hall, Emily. “Haunted Houses,” The Stranger, April 4, p. 30. Religion & Ethics NewsWeekly, Bioethics and the Book of Life. New York: Thirteen/WNET. Image on video box and booklet covers. Roth, Charlene. “Jaq Chartier and Amy Ellingson at Frumkin/Duval Gallery,” Artweek, March, 2002, p. 17-18, (image). Staiger, Alex. “At the Crossroads where Science and Art Meet,” Art Access, May, pp. 10-11., (image). Uehling, Mark D. “Designer Genes on Display,” bio-itworld.com, 6/2/02. Welles, Elenore. “Amy Ellingson and Jaq Chartier,” ArtScene, January, 2002, p. 12-13, (image). |
| 2001 | Cullum, Jerry. “Seductive changes,” Atlanta Journal-Constitution, 12/28/01. New American Paintings, Vol. 31, Pacific West Coast edition. Needham Heights, MA: Open Studio Press. (also 1997, Vol. 13) Westbrook, Lindsey. “Theory or Faith,” San Francisco Bay Guardian, 8/15/01. |
| 1998 | Farr, Sheila. “Hands on Color at BAM…,” Seattle Times, 11/17/98, p. E1. Hackett, Regina. “Color hits the big time…,” Seattle P-I, 11/27/98. McTaggart, Tom. “Leaving a paper trail,” Seattle Weekly, 8/20/98, p. 32, (image). |
| 1997 | Burkman, Greg. “Digging in Deeper,” Art Access, 3/97. Farr, Sheila. “Drawing on inspiration,” Seattle Weekly, 7/16/97, p.33. Knode, Marilu. “Dehesive,” Aorta, Summer-1997, p. 14. McTaggart, Tom. “Biology Lessons,” The Stranger, 5/22/97, p. 56, (image). Smith, Cary. “Intergalactic Interpretations,” News Tribune, 7/6/97, p. F1. Walker, Emily. “Loving the Aliens: UFO Art,” The Daily (Univ. of Washington), 6/2/97, p. 8. |
| 1995 | Foo Fighters, Capitol Records/Roswell Records. Images inside CD booklet, on record album back cover, and on cassette J-card. |
PROFESSIONAL EXPERIENCE |
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| 2010 – present | 519 S. Main St Studios, Seattle. Co-founder/director of 15 art studios in downtown Seattle. |
| 2023 – 2024 | Alden Mason Foundation, Seattle. Board member; helped create the first 12k Alden Mason Award. |
| 1994 – 2019 | 1426 S. Jackson St Studios, Seattle. Co-founder/director of art studios building near downtown Seattle for 35 visual artists. |
| 2005 – 2012 | Aqua Art Miami, Miami Beach, FL. Co-founder/director of a prominent art fair event concurrent with Art Basel Miami Beach, giving galleries and artists from the west coast a platform during Art Basel week. |
| 1998 – 2005 | Golden Artist Colors Working Artist Program, Seattle. Instructor; received extensive advanced technical training by Golden Artist Colors to lead lectures and workshops for artists. |
| 1999 – 2000 | Art Detour: Open Studios Seattle. Co-founder/co-director of the initial two years of an annual city-wide open studios events, including approx 150 artists’ studios all over the city. |
| 1997 | Visiting Lecturer, basic drawing, University of Washington, Seattle |
| 1993 – 1994 | Teaching Assistant, basic drawing, University of Washington, Seattle |
| 1985 – 1992 | Instructor, painting; Guild Studio School/Guild Art Center, Northampton, MA |
| 1987 – 1991 | Instructor, painting; University of Massachusetts Continuing Ed. Program, Amherst, MA |